Spectrum is spectrum. Two lights emitting the same spectrum will be identical in color, hue, and characteristics. If the spectral graph of the Aquablue Azure on the Coralvue website is correct, then it matches the spectral graph of the D-D Lagoon Blue and is identical in appearance.
I asked Giesemann about the spectral plots and to get a further understanding of the differences between the AquaBlue Azure and the old Lagoon Blue lamps. This is the response I received.
Firstly it's important to realise that the spectral plots provided and being discussed are standard or 'low resolution' block plots for general use. ( ie what you can feasibly fit on the outside of the tube sleeve. They aren't scientific or manufacturing grade plots. For obvious reasons most manufacturers don't supply 'exact' plots because they don't want competitors matching their exact blend on all lines. So the plots provided are there as a guide within a reasonable range of accuracy. Or to be more precise...to give the user a reasonable representation of where the spectrum is weighted in comparison to other lamps within the range and so that the dealer can show the plot to a customer who doesn't understand lighting technology and talk them through the basics, ie this lamp will be bluer than this one, and this lamp will offer a more even natural sunlight look etc etc..
As such it's highly likely that when two companies supply two tubes manufactured at the same factory ( in this case Narva in Germany with very similar but slightly differing distributions, such as the lagoon blue and Azure blue, that they will quite feasibly look virtually identical on a low resolution plot.
Visually however, the two lamps may appear to the naked eye very different even with very subtle variations in the actual per-frequency intensity, especially in the peak visual mid band at 555nm and above and below that point by about 60nm either way to the point we are below 20% of the sensitivity at 555nm to the human eye. ( in short it's not just the green band that can affect 'visual' appearance of brightness. It's a whole chunk of the central spectrum we work with on aquaria.
If you've spent enough time around halides this phenomena will be normal, where two 10k lamps having almost identical plots will appear very different, and even more so to several different people with slightly differing spectral sensitivity.... One will say it's a crisp white, the other will say it's a slightly yellow white and so on and so forth..10 different people will give 10 different answers even though there are in reality only two lamps and two very close spectral plots with less than a few % difference on any given frequency.
As such there is always a degree of personal taste included in what combination each user will finally end up with, which is why there are the main tubes colours, plus the additional colours such as the Azzure and Super purple so that people can tweak their set ups to their own personal preference...not all tubes will meet favour with all people under all circumstances.
As a general rule, the most common combination ( or safest bet visually and biologically) if it's your first time on t5 when looking at say an 8 tube unit, would be 4 x aqua blue coral, 2 x actinic blue and 2 x actinic super. This is pretty much a default mix..similar to the old 10k halide + Narva blue t5 combination that was the mainstay of successful reef lighting for many many years..Use that combination and if your corals are still struggling then start looking somewhere other than your lighting.
From there, some users may wish to swap out say one of the actinic supers for a purple or Azzure or try additional combinations. In fact some people who are more growth than colour demanding, may even be inclined to swap out one or more of the aqua blue coral lamps for tropics to deliver a larger degree of punch at the red end for shallow water corals and to simulate a more natural upper reef light field..
I hope this information will be of assistance to you.
Simon Garratt
Giesemann US/UK technical support.